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If you want some music to transport you to the realm of the Strega, I'd like to suggest the CD's of Alessandra Belloni. She is a dancer/percussionist who records ancient Italian folksongs and dances, such as the Tarantella. I attended one of her tambourine workshops and she's amazing! I don't know if she calls herself a strega but her work is tapping in anyway.
www.alessandrabelloni.com/contact.php
A circle sister and I did a ritual about "The Strega" and incorporated Alessandra's music and the idea of the Tarantella as a healing dance.
This was part of invocation of Diana:
"O My Goddess, Diana, hear my song of adoration.
Hear my voice when I sing Thy praises.
Hear my songs as they rise heavenward,
When the Full Moon, brightly shining,
Fills the heavens with Thy beauty.
O my beautiful Moon Goddess,
Hear me as I stand before Thee.
See me when I reach toward heaven,
When my arms reach upward toward Thee.
When the Full Moon shines upon me,
Give me Thy blessings, O Diana.
Teach me of Thine ancient mysteries,
Ancient rites of invocation that the Holy Strega spoke of,
For I believe the Strega's story:
When she spoke of Thy shining glory,
When she told us to entreat Thee,
Told us when we seek for knowledge to seek
And find Thee above all others.
Give us wisdom, O Diana:
How to bind our oppressors,
How to cure the sick among us.
Teach me, O Diana.
Give me Thy blessings, O Great Moon Goddess.
Shield me from my oppressors.
Receive me as your daughter, Diana.
Receive me, though I am earth-bound.
Grant me ancient Wiccan knowledge.
When my body lies resting nightly, speak unto my inner spirit;
Teach me all Thy holy mysteries.
I believe Thine ancient promise,
Thy promise unto the ancient Wicca
That we who seek Thy holy presence will receive Thy Wisdom.
Now the Full Moon shines upon me.
Hear me! I stand before Thee!
Grant me wisdom! O Diana!
Shield me from my oppressors!
Teach me Thine holy mysteries!
I sing Thy praises unto the heavens.
Let Thy glory shine about me.
Bless us, O gracious Queen of Heaven.
Descend Thou among us;
Descend and conquer, Gracious Goddess."
Taken from : The Witches Workbook: The Magick Grimoire of Lady Sheba
by Jessie Wicker Bell, pub. Kensington Pub. Co., 1975
BB,
Lupa
www.alessandrabelloni.com/contact.php
A circle sister and I did a ritual about "The Strega" and incorporated Alessandra's music and the idea of the Tarantella as a healing dance.
This was part of invocation of Diana:
"O My Goddess, Diana, hear my song of adoration.
Hear my voice when I sing Thy praises.
Hear my songs as they rise heavenward,
When the Full Moon, brightly shining,
Fills the heavens with Thy beauty.
O my beautiful Moon Goddess,
Hear me as I stand before Thee.
See me when I reach toward heaven,
When my arms reach upward toward Thee.
When the Full Moon shines upon me,
Give me Thy blessings, O Diana.
Teach me of Thine ancient mysteries,
Ancient rites of invocation that the Holy Strega spoke of,
For I believe the Strega's story:
When she spoke of Thy shining glory,
When she told us to entreat Thee,
Told us when we seek for knowledge to seek
And find Thee above all others.
Give us wisdom, O Diana:
How to bind our oppressors,
How to cure the sick among us.
Teach me, O Diana.
Give me Thy blessings, O Great Moon Goddess.
Shield me from my oppressors.
Receive me as your daughter, Diana.
Receive me, though I am earth-bound.
Grant me ancient Wiccan knowledge.
When my body lies resting nightly, speak unto my inner spirit;
Teach me all Thy holy mysteries.
I believe Thine ancient promise,
Thy promise unto the ancient Wicca
That we who seek Thy holy presence will receive Thy Wisdom.
Now the Full Moon shines upon me.
Hear me! I stand before Thee!
Grant me wisdom! O Diana!
Shield me from my oppressors!
Teach me Thine holy mysteries!
I sing Thy praises unto the heavens.
Let Thy glory shine about me.
Bless us, O gracious Queen of Heaven.
Descend Thou among us;
Descend and conquer, Gracious Goddess."
Taken from : The Witches Workbook: The Magick Grimoire of Lady Sheba
by Jessie Wicker Bell, pub. Kensington Pub. Co., 1975
BB,
Lupa
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Re: The Tarantella
Wed, June 11, 2008 - 5:18 AMhello Lupa and yet again welcome !!
I posted the very same a while back here :
dianaaradia.tribe.net/thread/...4ea95fc9
interesting you speak of Alessandra Belloni, Lupa I have had the pleasure to meet here in my town
naturally we begun to chat as she find out where I come from ..
I didn't actually go to her workshop .. yet .
. but the Tarantella being a folk's dance from my city
having experienced with it since a young age has probably contribuited a lot in launching me
unto my path ..
and I suppose Alessandra must have given it back its full past glory ...
thank you for sharing this .....I will make sure to attend her workshop next time ..
she returns often here .... so I expect to see her soon ..
LD
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Re: The Tarantella
Sun, June 29, 2008 - 5:50 AMThere's a little bit of a problem with this. The Tarantella is an exorcism ritual (for lack of a better term for "Ritual of Possession Propitiation"). It's designed to be used for something very specific and I wouldn't recommend using it for anything else lest you weaken the associative properties of the ritual. Yes, Tarantella is a healing dance but it isn't a generic "catchall" healing. Not all of Alessandra's music is for Tarantella ritual though so there's plenty to choose from if you just want a focusing sound to get you in the mood.
~*Spoon*~ -
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Re: The Tarantella
Wed, July 2, 2008 - 6:23 AMthank you ~*Spoon*~
The Tarantella as an exorcism sounds great to me
but I never heard of it unless is a ' Nea Schola ' introduction or so ancient that it has been forgotten
as far as I know originally the name derives from a Spider the Lycosa tarentula, tarantola in Italian
a poisounous {{ ;-) }} spider mostly encountered in Southern Europe
the poison apparently provokes convulsions ,
the dancers performing the Tarantella movements seemed similar to those people who had been bitten by the spider
in other interpretations the name may be derived from the Tara river.. a small but rich in legends river in South Italy
I wish to know more on this subject, so if you or anyone else here has more to share
by all means , please do !
Lux
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Re: The Tarantella
Thu, July 3, 2008 - 4:56 AM"I wish to know more on this subject, so if you or anyone else here has more to share
by all means , please do !"
Tarantella is an exorcism ritual dated to the 16th century in Magna Graecia. The last tarantatta performed her ritual of propitiation in 1993; since then it has largely become a performance dance or an apropriated healing ritual by the more spiritually or occult inclined. Before the Tarantella (in the same location) comes St. Vitus' dance, another tradition of purgation via experiential dance. The music and associations of both are very similar though they are separated by roughly three centuries. Laymen and even a few scholars have assumed that the Tarantella is a remnant of Bacchic ritual in the region since it is Magna Graecia after all. Personally I see no indication that it relates to Bacchu at all aside from the Arachne association which appears to be purely cooincidental as there is no link to Arachne previous to the 16th century.
The Tarantella was going strong as a ritual exorcism, though seemingly on the decline, as late as the 1950's. It is going through the same process that the rest of the world's exorcism rituals are going through; a period of reinvention as the folklore behind the ritual has become nearly obsolete. The Tarantella belongs to a greater Mediterranean family of exorcism rituals that date to the expansion of the Roman Empire. They exist independently of religion but heavy in folklore which is how they have continued to exist and why they continue to evolve conceptually if not movement and music wise. They can be considered occult but are unrelated to the practice of Strega as the two are different fields. An iatros requires mastery of a different set of skills and knowledges than what the Strega master. However anyone who works with spirits can be possessed so it is entirely possible to be involved with both.
~*Spoon*~
www.transcendentaldance.com -
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Re: The Tarantella
Thu, July 3, 2008 - 7:30 AMDo you think it might be related to the Zar dance, which I have done....
www.shira.net/arabella/zar.htm
???
These dances could be alternatively defined as "transmuting negativity into positive energy."
How often are we beset by negative emotions like anger, fear, jealousy, hatred, etc.? What a great way to take these energies and work with them, DANCE with them, until they turn into something else....something like pure energy that can be used for the good of all.....it's like an inner house-cleaning! :-)
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Re: The Tarantella
Thu, July 3, 2008 - 7:50 AMHere's another (more accurate?) take on the Zar:
www.serpentine.org/yasmin/Zar.htm
It strikes me as a survival of a very ancient spiritual practice....and maybe more of a kind of religious ceremony in the ancient tradition of Goddess and Tribal religions.....a kind of ancient "rock and roll." :-)
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Re: The Tarantella
Thu, July 3, 2008 - 8:27 AMI am very familiar with Zar as well. (Wrote a book on it. *Chuckles*)
Zar and Tarantella are both "ecstatic" dance rituals which means that the dancer communes with spirits other than (her) own. Ecstatic dance is a type of transcendental dance in which a dancer goes through a very specific ritual process to commune with a foreign spirit; either in propitiation, exorcism or (in extremely taboo scenerios) communication. Unless a foreign spirit is involved in the dance/ritual the session itself is merely a basic transcendental rite (alpha ecstasis) or if it has magical purposes (evocare). Zar and Tarantella both deal with a specific type of spirit classification and thus with a very select group of named spirits.
It is very common in the last 20 years or so for spiritually progressive or occult connected people to adopt the trappings of a Zar or Tarantella ritual and put their own spin upon it; making it a healing ritual (which is actually below its capability range) or giving it a new mythology, or in the worst and most common cases... dressing up basic trance work and duping people into believing that they are doing something more. If all that happens is you dance to an Ayuub (2/4) or a Tarantella (6/8) until you feel euphoric and perhaps even black out while dancing then you'll know that all you did was basic trance work dressed up as something more. These rituals are very dirty, they last for 3, 5 or 7 days or nights, they are expensive because they involve a lot of really fine foods, clothes & jewelry but most markedly... if you don't know the name or type of spirit possessing you by the end then you have not participated in a Zar or Tarantella ritual.
People who study Zar and Tarantella and other forms of ritual Exorcism/Propitiation tend to have access to scholarly books on the subject and thus their viewpoint becomes tainted with the idea that these rituals are tied into socio ecconomic problems or primitive healing therapies. They tend to espouse the idea that the Tarantella is related to the rites of Bacchu because it's the only type of trance they know from Classical Greece. On the other side of things, the people who read about and are interested in Zar tend to declare that the Zar ritual is the descendent of an ancient ritual to Isis... because the two are both Egyptian and thats the oldest commonly known trance cult from Egypt. All of these things gloss over what Zar and Tarantella actually are and what they are designed to do.
~*Spoon*~ -
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Re: The Tarantella
Thu, July 3, 2008 - 10:33 AMWow.....very interesting....thank you! I am writing a book (historic fiction) right now with Vodoun in it....takes place in 1713, in and near Haiti (then called St. Domingue). I'm wondering if Vodoun is also related to this tradition.....and in my heart, I feel that in its post positive aspects, it is. :-)
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Re: The Tarantella
Sat, September 20, 2008 - 1:12 PMLet it be noted that the Fitlo lived at the sole of the Italian boot, later known as Vitlo or Italo. A witch crossed the Messina strait, Morgan la Fay. The word fatamorgana is very old, pertaining to that date.
P.S.
F is digamma ( stigma ). Fitlo means people of the ox cult. Mars rules taurus. Mars is also LVPVS, especially with Asbolus in Lupus. Lupa means she wolf. Te Trojans eventually founded Vinixiah and Roma. The she wolf is mother of Rome, therefore Mars. The fascist girls were called Lupe, she-wolves. -
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Re: The Tarantella
Sat, September 20, 2008 - 1:50 PMthe Fata Morgana is infact a reflection of Messina or Reggio Calabria in the sky .. it only happens ..
well .... rarely ...... but it is known to happen... old folks in the area can tell of the magnificence of it ...
interestingly Morgana le Fay was the one to depart the Mist to access the Holy Isle of Avalon
which was removed in another dimension to preserve the School of Druids
from the arrival of the Christian church in the British Isle
interestingly Morgana was partly of Roman descend .. but I divert ....
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